Joan
Collins had a mushroom caught in her throat on the set of ABCs
Dynasty last spring just as she was saying to Lloyd Bochner,
Well, this is a kinky breakfast Im inviting you to. She had
plucked the mushroom from a pizza and was eating it as Bochner
- Cecil Colby - poured pink champagne. Collins, playing Alexis
Carrington, couldnt go on. The mushroom had done her in - just
as virtually any character in the series might like to do Alexis
in. Alexis is a baaaaaaad woman. The worst. Indeed, Cecil Colby
suffered a massive heart attack the moment he leaped into bed
with Alexis Carrington. (And Lloyd Bochner may be gone from
the show.)
But Collins is a star - because, alas, bad women make good
women seem dull. Thats something clever soap-opera writers
have always known. Without an invidious lady or two to make
trouble, the average soap opera would be as boring as your
average good girl. Thus, while the glamorously trashy Dynasty
limped along for a bit, featuring merely sulky and sullen
sirens, it was clear the series needed a good jolt of the
truly despicable, bold adventurous - a woman so wicked that
her eyes brighten in voluptuous contemplation of the iniquities
she will perform. And has performed. Enter Joan Collins. Dark.
Sultry. Worldly-looking. a British actress and B-movie queen
with a bodily chronicled past of her own, Collins has, in
some 50 movies and endless television, specialized in seductive,
sexy, naughty women.
Collins was living in England at the time she was offered
the part of Alexis. But. . . .Im no dope, she says. I
could see the possibilities of Alexis. Shes an evil, conniving
bitch. Shes larger than life and thats what I like about
her.
So Collins and her husband (Producer Ron Kass) and their
daughter Katy and a housekeeper now live in a house in Beverly
Hills for however long the series might last.
There was another reason for taking Alexis, the Sexy Termagant.
Two years ago, Katy, then 8, was struck by a car in England
when she ran into the street. She suffered a severe brain
injury, and her parents were told she probably wouldnt survive.
Collins and Kass refused to accept that verdict, moved into
a trailer parked next to the hospital and worked around the
clock with their child- singing, reading, talking (she was
in a coma for 48 days)- until she recovered. She is now well
and back in school. Dynasty provides a good opportunity for
Katy to enjoy a milder climate, her mother says.
Collins and Kass had left Hollywood in 1981- permanently,
they thought.
We moved back to England. We said: This is it. America didnt
have anything to offer us. Until Dynasty changed their minds.
If not their hearts. Collins worries about losing her English
accent. I dont sound American, do I She asks, saying that
friends whom she rings up in England complain about her vulgar
Americanized speech.
If anything, Collins appears to be quite classically British
in certain ways. Her manner is formal, even icy at times.
A question about her former husband Anthony Newley brought
forth a frigid stare and a gelid response: I dont know and
I dont care. (She recently won $22,500 in back child support
from him for their children, Tara, 19, and Sacha, 17.) A general
air of haughtiness pervades Collins very being; one perpetually
expects the royal we to spring from her lips. When asked
about the extraordinary sameness of the roles she has played
through the years, Collins bridles: I am an actress playing
the role to the best of my ability, she said, in talking
about their film The Stud. The role happened to be a man-eating
nymphomaniac, so a lot of people think, Hey, she must really
be like that. Well, it isnt so.
Absolutely no
What rot.
In her amusingly scabrous autobiography, Past Imperfect,
Collins reveals herself to be nervous, shy, insecure and vulnerable.
Worried about her looks. Worried about getting fat. Worried
about men. Her book details her numerous love affairs with
famous and not very famous men. Warren Beatty. Ryan ONeal,
Nicky Hilton. She says she even spent a night - on the rebound
from a sad love affair with a married man - cuddling up to
Raphael Trujillo, the son of the then-dictator of the Dominican
Republic. He gave her a $10,000 diamond necklace. She was
also given an engagement ring by Warren Beatty (In a carton
of fresh chopped liver). Despite her self-proclaimed headlong
hedonism, Collins does not depict herself in her book as a
happy woman. The men in her life treated her badly, she writes
- her first husband, Maxwell Reed, regularly beat her up -
and while she was always a semistar, she never made it to
first rank.
Nor was her book published in the US. When it was published
in England, I went through misery, sneer and jests, she says.
If this is how my own countrymen reacted, how would Americans
react I couldnt face it. I turned back a $100,000 advance,
she says.
Her male-induced miseries are most evident in a chapter called,
A Very Married Man. Blindly, she fell in love with a married
man - he was married to a well known actress - who had children.
Naturally, he was a Hollywood producer: The prototypical vile
producer. She calls him The General.
The General and I she says in her book, saw each other
four or five times a week; either we lunched at out-of-the-way
restaurants - usually near the airport where the sound of
jet engines drowned out conversation - or he came to my little
apartment for dinner. I never really knew until the last minute
when or if I would see him as he had about 47 different projects
going on at the same time . . . Although I went out on dates
which I kept platonic, I would never commit my evenings until
I knew if he was available. It was hell. I was back street
wife personified. The worst times were when he said he would
be over at 8 and didnt show up until 10 or 11 and sometimes
not at all, only a hurried phone call Sorry Babe - cant
make it tonight, have to catch you tomorrow.
:I would go to bed forlorn and miserable trying to understand
his problems and trying not to get upset. In the beginning
it was easier, but as the weeks passed and his promises of
trial separations from his wife came to nothing, I began
to et immensely depressed.
Just think: Here was Joan Collins. Beautiful. Twenty-two.
Rejected.
In person, however, there is little sign that a moments
insecurity reigns in the Collins breast. She is self-assured,
smooth and impatient. At 47, her genuine beauty is little
impaired she is as remarkably preserved as a Jomerit artifact.
And her figure, perfected by dedicated exercise and diet,
is as young, curvy and slender as when she played an Egyptian
princess in one of her first Hollywood movies, Land of the
Pharaohs, and wore a skimpy costume and a fake ruby in her
navel.
Two of her costars in Dynasty, Linda Evans and Pamela Sue
Martin, agree that Collins has a commanding presence.
She may seem arrogant but she is not, says Evans. Its protection.
People then dont know shes vulnerable. If people are about
to attack, it [the cool manner] throws them off.
Joan Collins was born in London and raised in a show-business
environment. Her father was a theatrical agent. I grew up
around pople in the variety side, Collins says. Comedians,
soubrettes, jugglers, actors, acrobats. My father was a gregarious
man, and theyd come to play poker once a week. My whole childhood
was surrounded by outgoing people. From the time she was
6, she wanted to be an actress. At school it was elocution
in the morning, geography in the afternoon. At 9, she played
a boy in Ibsens A Dolls House, and at 15 she passed the
examinations for the Royal Academy of Dramatic Art.
I got discovered when a photographer came to RADA and asked
to see the 10 most beautiful girls in school for modeling
in womens magazine. Her chose me, Collins says. An agent
way her picture in a magazine and asked Collins if shed like
to be in movies. She was 16. At first she refused. Like all
serious performers, she wanted to work on the stage, naturally;films
were beneath her. But her father, who had been discouraging
about her career, changed his mind and told her to snap up
the offer from the And Organization. She was signed to a contract
at 17.
The papers were flooded with me in bikinis, and Britains
Bad Girl was born, she recalls.
When she was 18, she married actor Maxwell Reed, 34. After
seven months of marriage, she was back living with her parents.
The break came, according to Collins book, when Reed tried
to sell her to an Arab sheik for about $30,000 for a single
night of Collins favors. She refused and went home to her
mother and father.
Eventually, 20th Century-Fox wanted Collins/ I was bought
like a side of beef. Rank sold me to Darryl Zanuck, she ways.
Thus began Collins first Hollywood career, which spanned
the years between 1955 and 1961 (when she went back to London).
I was just finished with the relationship with Warren Beatty
- we were engaged but he didnt want to get married, she
ways.
While in London, she and Robert Wagner, an old friend, went
to the theater to see Anthony Newley in Stop the World -
I want to Get Off. Dazzled by his talent, Collins soon fell
in love. I became a camp follower. I followed him to New
York, to wherever he was playing. This time, Collins wanted
to marry and have children. Once Newley was divorced from
his first wife, he married Collins and they proceeded to have
a family. For a while, after the Newleys came to Hollywood
- He thought hed be a movie star- Collins mothered her
babies, lunched with other rich, pampered, unemployed women,
did her nails, shopped and appeared in an occasional Mission:
Impossible. As her marriage began to fail - Newley, she wrote,
had a penchant for other women, among other problems - Collins
began to ponder. I wondered what the hell I was doing with
my life. And so she traveled, yet again, to London in 1970.
I became queen of the horror flicks: I got good at screaming.
She also met Kass, a music producer and formerly president
of the Beatles company, Apple Records. They were married
in 1972 after her divorce from Newley and Kasss divorce from
his wife. In 1977, Collins was able to convince the backers
to star her in a movie called The Stud based on a book by
her sister, Jackie Collins. The Stud and a sequel The Bitch
frequently revealed Collins in the buff. Both were commercial
successes.
And suddenly I was a big star in England again, she says.
Scenes from her films appeared in Playboy over the years.
So much for demureness and wanting to be regarded primarily
as a serious actress.
I have had it with exploiting my body, she says now. Which
brings her up to Dynasty and Alexis.
Alexis is vaguely based on a friend of mine whole modus
operandi was always yachts, Givenchy and the top restaurants,
Collins says.
A most triumphant and convincing transmutation. Collins was
driving down the street recently and another car approached,
filled with 10-year-old boys and girls. they waved. Collins
waved.
Alexis, Alexis, They chanted, we hate you, we hate you.
A genuine tribute to both Collins and Alexis.
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