The numbers are substantial, staggering. And
- say many executives - they may signal that TV spending has
reached a peak. Salaries are out of control says one Untied
Artists executive. Everybody is in the same boat, and its
rocking.
Gary David Goldberg, executive producer of
NBCs Family Ties says Networks are not willing to pay for
big stars any more, because TV makes its own stars. Stars
are going to have to be willing to take less up front, and
wait to see if the show is a success.
We are in a transition period, says Jay producer
of CBSs Mickey Spillanes Mike Hammer. People who get greedy
will lose.
Actors and agents bristle when producers predict
an end to this era. Why should they cut back, they contend,
when producers make millions And Goldberg himself acknowledges
that producers can become very rich I thought the total pot
on Family Ties would be $60 million, tops. Now I realize its
going to be closer to $200 million.
Have salaries peaked The recent payoffs to
Cosby, Selleck, Fox, Duffy, and Johnson suggest that they
havent, and that the conflict between actors and producers
over a shoes profits will continue to heat up.
And salaries themselves are only part of the
jackpot. How stars also demand and command smart and sophisticated
contracts, including retroactive increases, perks, and syndication
deals.
Indeed, its largely fear of leaks about salaries
- that might prompt other stars to jealously demand comparable
sums - that leads networks and studios to treat star salaries
like star secrets. The stars themselves are particularly shy
on this subject. I refuse to tell you how much I make, Dallass
Larry Hagman told us. Nevertheless, we were able to learn
Hagmans salary (at least $125,000 per episode) and others
in confidential interviews with actors, agents, producers
and other insiders in a position to know whos making how much.
The figures quoted, then, represent that consensus among informed
people in the business who were willing to talk only on condition
that their names not be used.
Beginning at the lower end of the scale, with
actors who turn up as guest stars in other actors series,
the average guest shot roll pays only $2500. But there are
exceptions. Murder She Wrote pays some actors as much as $15,000.
The Love Boat has paid as high as $50,000 for guest appearances
on special two-hour episodes filmed abroad. Hotels guest accommodations
vary: Debbie Reynolds got $15,000, Duncan Tegehr $20,000,
and Elizabeth Taylor $100,000. Surely the record-breaking
guest-star salary would have gone to Laurence Olivier: Hotels
producers tried to book him for $250,000; then when he turned
them down, they offered $75,000 to James Mason, The role eventually
went to Stewart Granger at a bargain price of $10,000.
Another source of judge paychecks for series
stars and others is the miniseries and TV-movie - if you have
enough appeal in Europe, where these American television products
are often sold as the article features. A major name is worth
as much as $125,000 an hour to a network for a miniseries,
says Harry Sloan, co-chairman of New World Pictures, which
co-produces Sins. Joan Collins is worth more than that to
us because she has proven she can carry a seven-hour miniseries.
Collins, indeed, is worth more that that. When she does a
miniseries she gets at least $1 million, which presumably
relegates their $65,000 and-episode paycheck from Dynasty
to pocket money.
There is a short list of superstars in a position
to make such super demands, particularly in a series TV. Success
in one series, however, does not guarantee success in another;
a famous name is no guarantee either. For instance, Stefanie
Powers, Margot Kidder, Ava Gardner and Tony Curtis were among
those whose series projects didnt make it onto the fall schedule.
So if you are in a hit, you demand whatever you can get right
now. If Larry Hagman walked off Dallas, there would be no
Dallas. Joan Collins can get what she wants because her character,
Alexis, is so essential to Dynasty. Hagman and Collins clearly
are on the short list of highest-paid stars. here (in descending
order) are some top performers salaries in TV series, TV-movies
and miniseries:
John Forsythe- $85,000 an episode (his contract
states that no one else on the series may earn more than him.)
Joan Collins- $65,000 an episode, $1 million
a miniseries.
Linda Evans- $65,000 and episode.